BLOG
Search

Winter has set in here in NSW. We’ve not long passed the solstice, and the days are still short and cool. In summer I’m an early riser, keen to get a head start on the day. At the moment I trudge out of bed in the dark, grumbling away until the coffee sets in. Some days I’m still waiting for the coffee to kick in.


This jumper is warmth and comfort. The Honeycomb yellow makes me feel invigorated and optimistic. It isn’t quite the saying, but if you are what you wear, well… you know what I’m getting at.

I’ve made this jumper once before in the Territory colour and I just love it. It needs a good defuzzing at the moment so I’m not going to show it here. Making the jumper a second time, I thought I’d change it up and make it a little more fitted. I’m happy I achieved that.

When planning the first jumper, I considered the effect of yarn substitution before anything else. The pattern suggested Malabrigo Rios, worsted weight 100% merino. The metreage for that particular yarn is 192m/100g. My 8 ply 100% merino is 180m/100g. In the book, ‘The Principles of Knitting ’, June Hemmons Hiatt suggests yardage variation of up to 20% can be a guide in determining a successful yarn substitution. There was only 6% variance between the yarns, so I took that as a green light to begin swatching.

Since I’ve already got a completed jumper in the same XS size, I didn’t need to swatch again. I put it on and cinched it gently where I’d like to alter the fit. I counted the stitches that I wanted to take out, and wrote them in pencil on my pattern.

To make my fit changes I reduced the sleeve circumference by 6 stitches. That gave me a slim sleeve and flowed on to reduce the width of the sleeve caps. The upper body panels were then stretched to create more fit above the bust, upper back and at the neckline.

To even out the colour distribution I alternated yarns from different cakes each row of the body panels. I alternated at the beginning of the round, bringing the most recently used yarn to the front and taking the new working yarn to the back (unless the first stitch was a purl). The right side seam looks tidy and the method worked well.

One other small change I’d made this time was to use a twisted rib technique at the cuffs. There was no imperative for doing that, I just wanted to change it up from the first version.


The jumper is still super stretchy and comfortable despite removing stitches. I think a good deal of that is owed to the forgiving nature of the seed stitch panel at the front.

I’d happily have a few more of these in my wardrobe in different colours. It took me about 3 weeks of on-and-off knitting to complete, so I could get a couple more completed before winter is through. Maybe an Emerald and Classic Blue?

If you’re keen to make your own, the 'Rock Creek' pattern can be found at:-


http://boylandknitworks.com/#/rockcreek/

This is Nancy Marchant’s stunning ‘Ribcage Chevron’ pattern and it is hands-down my favourite project to date. I would’ve liked to have finished it in December, but an unexpected hand injury meant I was only able to resume work on it a few weeks ago.


Brioche patterns can make some knitters feel apprehensive; jumping to the conclusion it must be complicated and beyond their level of comfort. To that, I say take a couple of deep breaths, make a cup of tea and just get stuck into it. You can do it. Once you’ve completed a repeat, stop and examine it. The value in this step can’t be overemphasised. Re-read the pattern as you’re looking at your work. See how knitting and purling the yarn overs carries the yarn on the correct side of the work? Pretty neat right?

I didn’t strictly read the pattern for most rows, but I still kept a checklist of what row and pass I was up to. I’m a sucker for paper and a pencil, and it feels good adding a tick at the end of a pass. Despite feeling comfortable with the concept of brioche knitting, I wouldn’t recommend working on this particular pattern when polite interaction with other humans is required. The suggestion to use lifelines is a good one, no matter how confident you feel to pick up incorrect stitches. Those last two sentences happen to be related. Around 28 passes worth of related. Keep this beauty for when you can relax and find your groove. I’m very happy with the choice of colours too, ‘Hyper Orchid’ and ‘Plum’.

I didn’t prepare a swatch for this pattern and I don’t tend to for shawls and scarves. I realise I’m breaking a golden rule, but it genuinely doesn’t bother me if they end up a bit larger or smaller than the specifications. As I knit I’m conscious that the machine-washable merino I use will grow once wet, so I kind of eyeball it as I work and use reasonable judgment if things are moving in the right direction. But for EVERY other garment project, I am firmly with Camp Swatch.



When I bound off this shawl, the length measured 21 inches (53cms). Without being too aggressive, the magic of blocking then opened it up to a final, dry, 27 inches (68cm). The way the ribcages flourished when wet made for a very happy Sunday.


I used a conventional k1, p1 bind off with a lightly tensioned hand, and I’m happy with the way it gives a vivid, pink outline to the lower edge of the shawl. I was second guessing myself whether instead I should’ve done an Italian bind off. That would have given some variation between the pink and purple as per the top edge of the shawl. After some time thinking about it I’m equally happy with how it would’ve turned out either way.


The reverse side is nice enough, but I think once you’ve chosen your favourite colour as the main for the front, the reverse won’t wow you more than the front. If you choose to drape the shawl like a scarf around your neck, some of the exposed underside will beautifully contrast the main side though.


All in all, I used 267 grams of 4 ply yarn; a large (100g) and a small (50g) skein of each colour.

I love the versatility of shawls. In winter we should all have one tucked in our bags. The comfort of draping a handmade, warm fabric around your shoulders makes the time investment deeply satisfying. Being able to wrap up a chilly friend or the little humans in your life is a reward beyond compare.

If you’re considering making this shawl, you have my complete encouragement. Take your time and enjoy the process. I’m sure you’ll love your finished shawl every bit as much as I do mine.

The ‘Ribcage Chevron’ pattern can be found at:


https://www.ravelry.com/patterns/library/ribcage-chevron


xxx

This is a favourite project from August 2019, the "Nightshift" shawl from designer Andrea Mowry (Drea Renee Knits). I knitted this shawl in a little over two weeks before gifting it to my lovely mother in law for her 70th birthday. Every stitch was a pleasure, and I looked forward to any opportunity to get a few more rows done.


The mosaic knitting and colour changes in the shawl made it addictive. I followed the colour progression per the pattern (vs the option of using the "recipe") and I'm really pleased with how the yarns worked together. The semi-solid colours gave a nice variation and depth to the final product.



An i-cord border gives a clean finish.


The 8 ply yarns used are Shale, Silver Grey, Deep Gold, Palest Grey, Honeycomb and Lemon Cloud. Some of these yarns have already been made available in the shop. The others will be listed soon, along with sets of the 6 colours.


I used 100g cakes of each of the yarns, and was left with 29g Shale, 34g Silver Grey, 51g Deep Gold, 30g Palest Grey, 42g Honeycomb and 25g Lemon Cloud.


I'll be making this shawl again. The pattern can be found at: www.dreareneeknits.com

SUBSCRIBE
  • Instagram
  • Twitter
  • Instagram
  • White Twitter Icon

© 2019 plinthyarn.co

0